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confirme the familial
SN - 058
habitual animals by habit. we are always finding ourselves already in the midst. any sort of notion to the finishing of the process is left up to the other. an immanent mediacy of relations between will and space. a falling back onto an outside perspective. just to catch the action going by. which serves as a drive to once again see the invisible.
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SN - 057
the empirical data is overwhelming.
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SN - 056
all the escapades run through my head, like some awful viddie on rewind, so easy to be profane, but harder and harder to offend.
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SN - 055
i really wish i could blot you out but you keep cropping up in the most awkward of moments, and saying the most unsurprising things. it is pleasant to witness another origin and take it on for a moment or two. but the hollowed out shell of a toll is a passing desire to satisfy a very certain and unambitious need. the less i can be necessarily filled by the better. or the more increased are my own satisfactions for the origin of another's alterity. the shocking. the new.
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SN - 054
how do you break a rib by eating mcdonalds? you wanna be a rich man? what else could it be? comedy course!
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SN - 053
back in the days when the world had a form about it. all is formless now. rationalised to irrational. get off somewhere, a big all for one pit stop, no guarantees.
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SN - 052
it's a new world boys. it's nasty cruel and harsh. it's all working after the collapse. forget nothing. we've never told the truth, so how can we lie? don't listen to that, don't read this.
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SN - 052
how does a solipsist make love?
very quietly and alone.
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SN - 051
writing about writing. somehow it is not as boring when it is read aloud. the story that is. enlivens the life of it. the action enlivens. a different form of entertainment.
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SN - 050
they stole our name. put a new factory on oxford. o - a - f. don't get too hung up. just stop calling if you don't like rejection, but if you ask me then i say it is. one day i will pick it up and invite you. going on going to be going.
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SN - 049
'i' did not say anything. stop breaking up all into different parts. a reference point. distance the other with a pen. with a camera. with a sword. unsheath me baby and swing me around. i'm so dangerous.
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SN - 048
i've realised i'm never rid of you; i want to spend some quality alone time. this is as good as i can get. me here, you over there.
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SN - 047
my body empathizes. before the mind, prior to understanding, the body itself empathises with other bodies.
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SN - 046
love you. miss been missing you.
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SN - 045
one understands what each thing does and how it relates to every other thing. if one can hold that in the mind at once then the use of that thing becomes second nature and appropriate.
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SN - 044
who will ever replace you?
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SN - 043
the re is a sign of the already formed scene on which the subject and the other are acquainted.
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SN - 042
recognition:
an acquaintance. being, to put in relation. the first movement, the cognition, or first orientation, the acquaintance before acquaintance; to quaint, is the non relation of the great span - unfurling.
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SN - 041
i got news for you. just a new bulb and al your lighting troubles are no more. we are both unlike anything else.
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SN - 040
that's where the other gets in; all the opening of the skin. the orifices, the wounds.
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SN - 039
i got all this rain swimming in my head. sentences are killing me like a virus. setup, construct, sequential structures leaning on the backward parameters of signs, symbols, and difference.
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SN - 038
contentless:
get hung up on the patterns, the spaces between that make up the patter. not the content, no thing specifically, but mode in which that content is organised. the relation between and within the mode/s.
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SN - 037
expression is an observation, nay, reflection on the most basic instructions of living. so basic are their premises that the formulation of word makes their description a perversion. but a wanting perversion. for the wanton play of words and desire for experience is at its heart.
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SN - 036
it was the same rule applied with the same results. the context differed so the means differed. but the intention and the result stabilized.
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SN - 035
the other identifies useful abstraction in saying:
saying for the already saying becomes / hides / resorts to the said and buils identity in the wake of the saying. so the illusion of time, or rather the internal time, is mirrored as an illusion in the outside world first by language and then by objectification, which is a process of language to make itself useful. In order to prolong its longevity or preserve itself in the said as something identifiable. thus recognizably building a wealth of abstraction that does.
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SN - 034
nature is passivity repetition:
a clear indifference to action in the most passive way has been misnomered as the natural. the natural is not some force of nature or over-developed synthesis / planning but a great passivity to the force of the world to the underlying languidity of the fruitlessness of life itself as a persistence of the mundanity of repetition. the inherent failure and despondent position of life in and of itself without telos without plot without ends in any shape the life that consumes without meaning when self aware and conscious is despondent to its own lack of plot / innocence / naivety.
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SN - 033
particular is abstract:
'i' is misinterpreted as meaning due to its utility in an abstract manner it is placed. that is to say that the it is the record of the saying or a version of the said which formulates an identity and it is this identity, the formulation of and the relationships between these varying forms and formulations of identity, that are construed as universal in there application. thereby useful and thus are misplaced as meaning as though the relationships themselves were already present; placed like a punctuation mark from something on high looking above and plotting the distance and direction of the saying when it all happens.
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SN - 032
the thing of presentation shows many sides.
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SN - 0031
becoming self medicating and aware develops a certain style and taste.
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all works presented herein are 'threewords' with the exception of reposted videos duly titled.